Wintersemester 2023/2024, BA/MA Produkt-Design Produkt_Startseite

TRACING PATTERNS

Tracing Patterns is a project at weissensee cshool of art and design berlin that explores the integration of traditional ceramic techniques with advanced digital methods. The project emphasizes understanding the properties and behaviours of ceramic materials in different states, employing techniques like painting, glazing, and casting within a digital framework.

 

Key concepts include ‚pattern‘, encompassing both surface designs and movement patterns in advanced manufacturing, and ‚tracing‘, linking traditional craft to modern digital technologies.

 

The project was supervised by Prof. Konrad Jünger and Joana Schmitz, with support from Prof. Barbara Schmidt, Babette Wiezorek and Andreas Kallfelz.

 

Participants are Güler Nazlı Pekdemir Kutlucan, Ivan Modeß, Izumi Yano, Kira Bürmann, Maike Panz, Marc Goldbach, Oriya Hallel, Thien Thanh Vo, Xuting Luo, and Yasuma Hida.

 

Design Perspective Experiment

Project categorySemester Project Project subjects BA/MA Produkt-Design
BARE by Güler Nazlı Pekdemir & Maike Panz
BARE by Güler Nazlı Pekdemir & Maike Panz
Inspired by monumental structures, our robotic arm carves clay with calculated movements, reflecting the brutalist way of design and honesty in materiality. Each movement, each interaction with the clay, tells a story of care and violence, of delicacy and force. In the interplay of human intention, technological precision and the self-will of the material, we explore the unique nature of the material. Shaped by a technological extension of our body and guided by both intention and chance, amidst the fragments of accuracy, appears the raw beauty of clay.
Alle Rechte vorbehalten Güler Nazlı Pekdemir & Maike Panz
BARE by Güler Nazlı Pekdemir & Maike Panz
BARE by Güler Nazlı Pekdemir & Maike Panz
Inspired by monumental structures, our robotic arm carves clay with calculated movements, reflecting the brutalist way of design and honesty in materiality. Each movement, each interaction with the clay, tells a story of care and violence, of delicacy and force. In the interplay of human intention, technological precision and the self-will of the material, we explore the unique nature of the material. Shaped by a technological extension of our body and guided by both intention and chance, amidst the fragments of accuracy, appears the raw beauty of clay.
Alle Rechte vorbehalten Güler Nazlı Pekdemir & Maike Panz